If you learn to write, you can change your life.

The corpse was so well-preserved that they thought it was fresh.

6th of May, 1950, Denmark.

Local workers found a man completely submerged in peat, arranged in a fetal position. They named him the Tollund Man.

On his head was a cap. Around his waist, a belt. There was a leather noose around his neck. Apart from that, he was naked.

Following a forensic examination, scientists discovered 40 different grains in his stomach: his last meal.

This grisly trail of clues led to widespread public pondering.

Why was he naked? What’s with the mixed-grain porridge? And why did he have to die?

Some evidence gave conclusive answers: he died in the 4th century BC. He was roughly 40 years old.

But other theories emerged, too. That the man was a farmer who had been executed to appease the gods. The grains in his stomach were part of the sacrifice, to encourage crops to grow.

Or maybe he was just a wandering nudist in the wrong place at the wrong time.

We’ll never truly know.

But, as humans, we’ll continue to project stories on absolutely everything. Research consistently shows that, from activating language centers to releasing organic chemicals such as oxytocin, our brains love storytelling.

The Tollund Man couldn’t be a random corpse. We had to give him a name, a history, a life. Stories. They move people. And moving people is magical.

The secret of moving crowds from your couch

I first realized the power of storytelling back in 2014. From my little desk in my little room from the middle of nowhere, I was publishing stories that generated more traffic than by those companies with an army of writers.

It was true. Writing was the most radical thing you could do without spending any money. My stories were traveling the world while I slept, searching for opportunities on my behalf.

“If you can’t code, write books and blogs, record videos and podcasts. Media travels and earns while you sleep. It searches the world for opportunities for you.” Naval Ravikant

Seeing how words moved people was powerful. Reaching masses from my little desk felt good. But somewhere underneath that blog was a little secret that changed my writing forever.

I first found the secret between the lines of a random blog post I read in 2013. Rereading it over and over again didn’t help. I had to pick up my coat and go for a long walk to digest what I had just discovered.

That secret taught me most of what I know about writing, even though I wasn’t a native English speaker and lacked confidence in my skills.

And it forms the core of our storytelling strategy at Growth Supply today.

The raw horsepower of The Single Line

The simple secret I had uncovered came from poet Charles Bukowski. It contained just six words:

“The secret is in the line.”

I remember rushing back home on that January day to write down every single thought Bukowski’s advice had inspired during my walk. Later that day, I studied a few other posts on the same topic.

Even today, every time I see someone write an article with complicated, jargon-filled lines, I remember the following notes I took from those blogs:

What is the primary purpose of any piece of writing you publish online?
– To get what you’ve written read.

So, what’s the primary purpose of your headline, your graphics, your fonts, and every other part of the content?
– To get the first sentence read.

And the purpose of the first sentence?
– To get the second sentence read.

This may sound simplistic. Or maybe even confusing.

But the secret is in the line. If no one reads, all is lost.

The key to getting someone to read is taking it one sentence at a time, ensuring your readers are so compelled by that sentence that they want to read the next.

You won’t be able to pull this off all the time. Hell, you won’t even pull it off most of the time. But if you keep the raw horsepower of The Single Line in your mind as you work, you might make something good enough to be read and shared … maybe even shared widely.

This is foundational because even if you employ every BS “content distribution” trick and tip in the book, if your writing is bad, it won’t get you anywhere.

Write well. Line by line.

The Single Line approach changed my writing, and eventually, my life.

It enabled me to build two businesses in today’s overly crowded content industry. But it wouldn’t have had the same impact had I not questioned why it mattered.

The Single Line mentality matters

I outlined the core pillars of building a storytelling strategy in How we got 11.3 million pageviews without the growth hacking BS. And in a recent essay, I shared why I think effective writing is lean, clean, and easy to read.

But none of those insights matter unless you sit down alone with your thoughts to type words on a blank page, one line at a time.

The secret hides in those silent seconds where you realize you need to connect your monkey mind to the blank page in front of you. This is the reality where there is no background music. It’s in those very silent moments that you admit no productivity tool or fancy writing app can save you from getting your mind to focus on that empty screen.

To paraphrase David McCullough’s beautiful words:

To write is to think, and to write well is to think well.

Writing and thinking well, line by line, isn’t easy. But if you remember The Single Line mentality as you work, you might bring together something so good that it connects with people in exactly the ways they need.

It begins by respecting your craft. It requires treating your words carefully. In a world where you are just one boring line away from losing people, focusing on one line at a time helps you keep the audience in mind.

Take the lazy intros you see in the majority of me-too articles published on the Internet today — they all follow the pattern below:

Have you ever felt lonely after having binged on chocolates? I’m sure you can relate! We’ve all been there, right? I know. You are not alone! In this post, I’ll teach you how to stop binging and make you insanely successful at not binging!

Instead of arrogantly assuming the reader should relate or begging for her attention, why not craft your story, one line at a time, so readers are so compelled by that line that they want to read the next?

Getting people to read your story, long-form essay, or blog post gives you a few priceless minutes to make an in-depth, intellectual connection with anyone, anywhere in the world.

“If words weren’t quite so easy to produce, it’s possible that people would treat them — and maybe each other — with a little more care.” — Markham Heid

The words you put out in the wild have the power to move the masses.

Treat your words with care.

Keep The Single Line in mind as you craft your own Tollund Man story.

If you learn to write, you can change your life. The secret is in the line.

Write to express, not to impress

“Thesaurus carpet-bombings and long-winded sentences are commonly mistaken for fine writing because they feel authoritative and intellectual. But they’re just masks; effective writing is lean, clean, and easy to read.” — Gregory Ciotti

Ciotti adds that the root of the problem lies in our desire to impress.

He’s probably right. I wasted the first two years of my blogging journey trying to impress my audience even though I wasn’t a native English speaker.

I learned most of my English in high school. And if you’ve ever taken a high school English class, you probably had to meet those word counts on papers. Add to that the pressure to satisfy your teacher’s demands by adding extra adjectives to “enrich your writing.”

Sophisticated writing is good writing, I learned from those academics.

Applying complex high school writing to Internet blogging didn’t work, though. I’m not sure how many posts I deleted during those two years, but I was never going to be a writer. Blaming my teachers didn’t help, nor did imposter syndrome or playing the victim of not being an English native.

On the positive side, such negative self-talk elicited a lot of questions. And by 2015, I had some answers. In How I got 6.2 million pageviews, I shared my biggest lesson from those failed blogging attempts:

“Keep your writing as simple as possible. Let the real writers blow our minds. Meanwhile, we’ll try to get our message across as clearly as possible.”

Write to express, not to impress, I learned from the Internet.

You may not consider yourself a “writer,” but to strengthen your writing, you don’t have to be. Good writing shouldn’t be reserved for English majors or professional authors.

My writing is still nowhere near perfect, but over the years, I’ve been bookmarking a collection of practical tricks to sharpen it.

The following list has been significantly useful in my journey to building two businesses in today’s content world. Hopefully, these tips will help you as much as they have helped me.

1. Turn prepositional phrases into adjectives

When a prepositional phrase (they often start with “in” or “of”) describes the noun before it, try turning it into a one-word adjective instead.

No: CEOs in the tech sector

Yes: Tech CEOs

2. Avoid the passive voice

While the passive voice adds words to sentences, it also distances readers from what’s happening. Use the active voice whenever you can for crisper, more concise writing.

No: I was given a raise by my boss.

Yes: My boss gave me a raise.

3. Replace adverbs with strong verbs

Adverbs, which add detail to verbs, can often be replaced with a single, stronger verb. Since verbs are the “engine” of your writing, choose powerful and accurate ones instead of tacking “-ly” words on to dull verbs.

No: The child cried loudly.

Yes: The child screamed.

4. Delete “that” when you can

Unnecessary “thats” are like fat in a sentence. They just clutter your writing, and nine times out of ten, you can cut them. A useful resource is here if you want to learn more.

No: I hope that my colleagues enjoy my presentation.

Yes: I hope my colleagues enjoy my presentation.

5. Think twice about intensifiers

Using an intensifier like “very,” “really,” “truly,” or “extremely” is often a sign you just need to choose a better adjective.

No: It’s extremely cold outside.

Yes: It’s freezing outside.

6. Eliminate conjunctions

If you’re using two adjectives to describe a noun, you can often cut out conjunctions and use a comma instead.

No: The long and crowded flight exhausted the flight attendants.

Yes: The long, crowded flight exhausted the flight attendants.

7. Don’t start sentences with “there”

Starting a sentence with “there” isn’t just wordy. It also buries the real meat of the sentence. Instead of beginning with “there,” try flipping the sentence around and starting with a noun.

No: There is a common thought among the students that school days should be shorter.

Yes: The students think school days should be shorter.

8. Swap nouns for verbs

Many times, writers unnecessarily water down sentences by using phrases that could be single words. Nouns in place of verbs are one example.

No: I made a decision to exercise daily.

Yes: I decided to exercise daily.

9. Cut wordy phrases

Wordy phrases don’t accomplish anything except bulking up your word count and distracting readers from the point. Exchange the multi-word phrases below with the following simpler, less clunky alternatives.

  • In order to / to
  • Due to the fact that / because
  • On account of / because
  • In the event that / if
  • A large number of / many
  • The vast majority of / most
  • In spite of the fact that / although
  • In most cases/ usually
  • With regard to / regarding
  • At the present / now
  • During the course of / during
  • After the fact/ afterward
  • In terms of / in or for
  • In the midst of / amidst
  • So as to / to
  • In advance of / before
  • After the fact / after

No: In order to use their time more effectively, the employees worked through lunch.

Yes: To use their time more effectively, the employees worked through lunch.

10. Avoid adjective strings

If you have to use more than two adjectives to describe something, you should probably choose one stronger adjective instead. Not only will the description be more concise; it will probably be more accurate.

No: The customers are happy and excited about today’s product launch.

Yes: The customers are thrilled about today’s product launch.

11. Don’t use noun strings

More than three nouns in a row breeds confusion for readers — plus, a cluster of nouns technically makes the first two nouns into adjectives. Delete unessential words or introduce a preposition to clarify the meaning.

No: Company vacation rollover policy

Yes: Company policy on vacation rollover

12. Use positive description, not negative

Instead of wasting words describing what something isn’t, describe what it is instead. Your writing will seem both more confident and concise.

No: The living room lacks sunlight.

Yes: The living room is dark.

13. Replace “to be” verbs

If you’re using a verb like “is” or “are,” experiment with putting stronger verbs in their place. “To be” verbs sound lifeless and flat, and they don’t show any action.

No: The parent and teenager are in a state of disagreement about the curfew.

Yes: The parent and teenager disagree on the curfew.

14. Opt for common words

If you’re not writing a scientific study or a legal document, you can probably simplify your language. Choose simple, easy-to-understand words whenever possible.

No: My core competency relates to getting buy-in from all stakeholders.

Yes: I like to ensure that everyone agrees.

15. Avoid definitions

Do you have to define something you write? Chances are, you should just choose a less confusing word. The same principle applies on the sentence level. If you have to add an additional sentence to clarify an idea (typically, writers use “in other words”), cut the first sentence altogether.

No: My emotions got the best of me. In other words, I was angry.

Yes: I was angry.

16. Nix “currently”

“Am,” “are,” and “is” imply “right now,” so using “currently” can make a sentence redundant.

No: I’m currently in a great mood.
Yes:
I’m in a great mood.

17. Skip relative pronouns

Relative pronouns like “that” or “who” modify nouns, which means you can typically swap them out for adjectives.

No: The family searched for houses that had four bedrooms.

Yes: The family searched for four-bedroom houses.

18. Reconsider “make”

Another common offender in wordiness: “make + adjective,” which writers often use in place of a verb that says the same thing more effectively. Verbs should always convey action.

No: Calcium makes the bones stronger.

Yes: Calcium strengthens the bones.

//

Ciotti is right. Thesaurus carpet-bombings and long-winded sentences are just masks; effective writing is lean, clean, and easy to read.

Write to express, not to impress.

How we got 11.3 million pageviews without the growth hacking bullshit

“Once you publish a blog post, you have to email as many influencers as possible,” he tells the guy next to him, “and ask them to share it on their social media.”

I know I should mind my own business and stop listening to their conversation. But overhearing strangers in coworking spaces is always more interesting than staring at my screen all day long.

“Start your email with a sentence that flatters them. Maybe just pretend you care about something they published.” He adds, “You’ll also need software to track if they open your emails so you can send them follow-up emails later.”

So you can keep spamming them, I want to walk up to them and correct him. But I don’t judge him. We marketers love to destroy beautiful things.

Want to ruin something? Give it to us. Take influencer… social media… email… LinkedIn… we’ll add the word “marketing” next to each one and before long the world will be sick of our spammy tactics.

The word “content” isn’t any exception. In a recent essay, Intercom’s editor John Collins explains why they dropped the term “content marketing”:

“Combine ‘content’ with ‘marketing’ and you further undermine what you’re creating. The phrase suggests the entire point of the exercise is marketing. But if you focus on publishing great content, you’ll actually need to do minimal marketing to attract people to your product.”

Collins goes on to highlight that the term “content” itself is also problematic.

And he is right: “content” does commodify the core of what we do. But we all continue to use the word for want of a better catch-all phrase for our articles, books, and podcasts.

But do we have a better alternative?

‘Storytelling’ as a growth engine

11.3 million.

That’s the number of pageviews the “content” we created for our clients got over the last nine months.

People want me to talk about growth hacks or loopholes we found with Facebook ads. But our formula comes down to one thing we believe does a healthier job of capturing what we do: storytelling.

We discovered that if we focus on storytelling and worry little about the marketing part, the compound return that kicks in at around the fourth to the sixth month is simply mind-blowing.

We spend long hours, often a few days, on a single story.

Growth begins with words. Stories, they move people. And moving people is magical for building a business on your own terms, without worrying about competition.

The reason is simple: People don’t desire products. They desire feelings that products give them.

And storytelling is an incredible tool that acknowledges such distinction, a tool so few people are capable of using or understand the true potential of.

Getting people to read your story, a long-form essay, or a blog post, gives you those few priceless minutes to make an in-depth, intellectual connection with anyone around the world.

The readers of your stories in return start giving you their trust, one story at a time. And trust over time equals power.

We call this power “compound growth” which, after a few months of consistent storytelling, turns into your unstoppable in-house growth engine.

I explained the “compound growth” concept in detail in another essay so I’ll cut it short here.

But enough with the returns or benefits of storytelling.

Let’s get to some serious stuff.

How to move the masses

Building your own storytelling engine isn’t rocket science. And the truth is you don’t actually need to hire agencies like us to build one.

In a world where the majority spend their days on growth hacks and blame the algorithms when things don’t go well, focusing on the storytelling part easily gets you among the top 1 percent.

I want to share three building blocks we go through with each of our clients, which I hope will help you kick off your own storytelling strategy.

Let’s begin with high-level decisions.

1. Define your core narrative

“Over 90% of tech company content continue to be egocentric, focused on them (products, capabilities, company) instead of the customer (and the benefits that their solutions enable).” — Gartner

Before blaming those 90 percent for publishing selfish content, let’s consider a few best-in-class others that do quite the opposite:

  • Intercom’s blog doesn’t talk about its chatbot products; its content instead focuses on how to make business personal again.
  • JotForm doesn’t hard-sell its audience on its online forms — forms are boring and there are dozens of identical online form competitors. Their content instead helps organizations become more productive.

Unlike egocentric brands, the above examples tell stories beyond themselves. And they demonstrate what we call the “core narrative,” which is the first step to building your storytelling strategy.

Your core narrative is what you sell beyond your product. It’s the broad idea behind your otherwise selfish brand.

Defining a core narrative helps you to tell stories beyond yourself and still sell your product without shoving your product down people’s throats.

And every brand has a good narrative to sell — I mean, tell.

Got a product you think isn’t sexy enough? You can still craft a narrative.

The full-service storage company Clutter doesn’t hard-sell its boring storage services. It talks about delivering piece of mind.

The same could go for an accounting company. Why not talk about freedom instead?

In his by now legendary memo, Slack’s founder Stewart Butterfield highlights how selling a bigger idea beyond their group chat product could help them define a new market, instead of battling it out in a large market with dozens of incumbents:

“What we are selling is not the software product because there are just not many buyers for this software product. That’s why what we’re selling is organizational transformation. The software just happens to be the part we’re able to build and ship.”

Defining your core narrative guides every other content decision.

Content teams that otherwise run around like headless chickens finally receive a clear direction for what slogans to write on their homepage, how to craft their otherwise hard-selling marketing newsletters, etc.

You can think of your core narrative also as your “adjacent possible.” As Article Group’s Steve Bryant highlights:

“The point of an awareness strategy is not to capture dollars by selling a thing, it is to capture attention by selling an idea adjacent to that thingBy capturing attention with ideas you own that idea. By owning the idea, you own the audience. By owning the audience you can tell the audience what to pay attention to, and thereby define the marketplace. That is a long-term play. But that is the power of an awareness strategy, and thus the power of content.”

This doesn’t mean you should never publish about yourself, though.

As a business, you will obviously have content about your product launches, case studies, or company announcements. Indeed, Intercom often publishes about its feature releases; so does Basecamp.

That’s why it’s critical to break down your core narrative into tiers. You can think of your tiers as categories your stories will cover — they help you to turn such high-level narrative into an actionable content plan.

And your tiers can have a varying dose of “you” — from a tier that covers product-related topics (more about you) to one that solves your audience’s other, broader problems (nothing about you).

In other words, when brought together, the portfolio of your tiers should bring together the pieces of your core narrative.

But how you balance your tiers heavily depends on your content goal, which brings us to the next building block:

2. Define your ultimate goal

It’s easy for us to sit here and criticize content teams that publish ego-centric content.

But we should remember they spend most of their time inside the business. Add to that the pressure to convert website visitors into sales.

Yes, content does eventually lead to sales. But tying content directly to sales is a tricky business.

This doesn’t mean thinking of conversions is bad; after all, you need to pay the bills if you are in business.

And things like SEO, ads or webinars work great when people have a clear problem to be solved, i.e., when they know they need a solution.

But how about other market conditions where building even some “awareness” is challenging, never mind the conversion? Will those aggressive conversion strategies or ego-centric content work? Think of markets where…

  • people don’t even know they need a particular product/solution,
  • or markets where there are too many identical competitors, which is becoming the new normal in an increasing number of industries.

Such big-picture realization is crucial. “That’s when brands, who know they SHOULD be doing content, start wondering whether now is the time to start,” notes Steve Bryant:

“The challenge is that most brands aren’t good at awareness. A brand is a selfish thing. It was born as an idea about itself, it raised money talking about itself, it sells product talking about itself. It rightly and correctly does SEO and programmatic advertising and targeted banner ads and webinars and cold calls and feature releases and press releases about itself. But this is why brands aren’t good at telling stories beyond themselves. A brand wants people to aspire to its product. To a brand, their product is the customer’s goal.”

If you keep believing your product is your customer’s only goal, you’ll keep talking only about yourself.

But shifting such thinking isn’t easy. And it requires having a few of the following ingredients in place:

  • Expectations of your top management: Do you have a deep buy-in from decision-makers within your organization? Do they understand how content works and how long it actually takes to reap the benefits of compound returns? Or are they in it to make some sales overnight?
  • Runway/resources: What’s your runway? The fewer the resources/months you have left, the more pressure is likely to be put on content. More pressure then increases the risk of doing some dangerous things to your audience, e.g., locking them up in landing pages or driving them crazy with those aggressive popups.
  • Market dynamics: Do people in your industry know they need a particular solution so they seek out content, say, on Google? Is your market overly crowded with identical competitors? As mentioned earlier, such big-picture analysis can be key for defining and balancing your tiers (e.g., SEO content vs. big stories).
  • Growth stage: At what stage is your business? Content does take a long time. If you are at an early stage or haven’t even found a product/market fit, then getting into the storytelling game is probably not for you.

Your answers to these questions will shape your goal. They’ll explain the difference between an aggressive publisher and a smart one who know your audience isn’t a moron.

3. In the content game, your writing is your product

  • Define your high-level goal.
  • Build your core narrative. Break it down into tiers.
  • Come up with individual story ideas under each tier.

These are all fun steps.

But they mean nothing until you do one thing:

Sit down alone with your thoughts to type words on a blank page.

Doing the thing isn’t easy. You’ll often end up doing everything related to the thing in order to postpone doing the thing. This is where spending too much time on the “marketing” part can become addictive.

But eventually, you’ll have to face the reality that, in the most cluttered marketplace in history, your writing is your product.

If we borrow Sam Altman’s legendary “product” quote and apply it to “content”:

If you want people to pay attention to you someday, you have to eventually write so good that people will recommend it to their friends — in fact, so good that they want to be the first one to recommend it to their friends for the implied good taste. No growth hack or brilliant content promotion idea can save you long term if you don’t have a sufficiently good writing. So if you’re trying to grow your traction around a mediocre writing, fix it now. Don’t try to avoid the problem by writing lazy listicles or looking for aggressive tactics. And if you’re just starting out, take the time to write stories your audience loves, no matter how long it takes.

Take the time, no matter how long it takes. This is one of the biggest lessons we’ve learned over the last years.

Writing a compelling story isn’t easy to pull off all the time.

It takes hours, often days, to bring together a compelling argument, organize your thoughts, and solve a series of logic problems about the order of ideas.

When storytelling is done well, though, time proves it was worth all the effort; that one powerful story leaves an impact that a dozen listicles can’t even get close to.

That’s the difference between a clickbait article that goes viral and a story that is authentic and real.

Growth begins with words. Stories, they move people. And moving people is good for business.